Michael Vorfeld and Hans Tammen’s collaborations go back to the early 90s, where they played in Jon Rose’s documenta IX orchestra in Kassel together. Today, Michael Vorfeld’s sounds are generated by different light bulbs and actuating electric devices, and the rhythmic variety of the flickering and pulsing lights is directly transformed into a comprehensive and microcosmic electro-acoustic world of sound. Using Harvestworks’ new 8-channel sound cube (with 4 speakers each situated on floor and ceiling), Hans Tammen’s Prozesshansl software moves these sounds in three dimensions to create fragile and contrastive soundscapes surrounding the audience.
Date: Tuesday, November 28th, 2017
Michael Vorfeld is a sound and visual artist based in Berlin, Germany. His installations generally focus on the spatialization of light, using minimalist architecture and sound design to attain pure, crystalline shapes. His music is centered on his use of bowed cymbals and homemade string instruments to create shimmering, microtonal music rich in overtones. He has performed in Europe, Japan, and America solo or with other improvisers and occasionally dancers. His work has been documented mainly by the German label NURNICHTNUR, but also on Hybrid, AufRhur, X-Tract, and Trente Oiseaux.
Hans Tammen likes to set sounds in motion, and then sitting back to watch the movements unfold. Using textures, timbre and dynamics as primary elements, his music is continuously shifting, with different layers floating into the foreground while others disappear.Whether richly processed guitar sounds from his hybrid interactive guitar/software instrument Endangered Guitar, traditionally notated material for his Third Eye ChamberOrchestra, or graphically notated elements for the all-electronic Dark Circuits Orchestra, his music flows like clockwork, “transforming a sequence of instrumental gestures into a wide territory of semi-hostile discontinuity; percussive, droning, intricately colorful, or simply blowing your socks off” (Touching Extremes).