Lisa Moren

Lisa Moren is a multi-disciplinary artist who works with emerging media, bio-matter, public space, AR\XR and works-on-paper. She has exhibited her work at the Chelsea Art Museum, Creative Time, and the Drawing Center in New York, the Cranbrook Art Museum and international venues including uShaka Museum (South Africa), Ars Electronica (Austria), and Akademie der Kunste (Germany), and the Artists Research Network (Australia) and has a forthcoming one-person exhibition at the Peale Museum in Baltimore, Maryland. She received the National Endowment for the Arts award, is a Fulbright Scholar; a multi-year recipient of the Maryland State Arts Council and CEC Artslink International and the Saul Zaentz Innovation Fellowship in Film and Media at Johns Hopkins University.

Her work has appeared in Performance Research; Visible Language; Inter Arts Actuel; New Media Caucus for her curated work“Algorithmic Pollution: Artists working with Dataveillance and Societies of Control” and “CYBER IN|SECURITY” for Washington Projects for the Arts (WPA); and her books on Intermedia; and Issues in Contemporary Theory for “Command Z: Artists Working with Phenomena and Technology.” Lisa Moren is a Professor of Visual Art and Intermedia and Digital Art (IMDA) at the University of Maryland Baltimore County (UMBC); is an Affiliate Faculty at the Imaging Research Center (IRC) UMBC; and taught at FAMU and AVU in Prague; and the University of California San Diego (UCSD).