Current Place

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“Current Place” is a two-room audio-visual installation that speaks to themes of stillness, incremental change, and distance. In the large room, six speakers positioned in two triangular shapes use the floor and walls to diffuse the sound creating a slowly changing array of ringing piano strings magnetically activated by an electronic bow. The sound is inspired by the rich color frequencies, transparencies, and shifting daylight within the room’s projected installation. Here, 35mm slides project a series of abstract folded forms, each created by moving a camera with an open shutter. The sixteen slides advance every 8 minutes and 13 seconds—the length of time it takes light to travel from the sun to the Earth—creating a patient, rhythmic clock.

The adjacent sun room contains a Harmonic Clock, also marking 8 minutes and 13 seconds, based on the singular Harmonic Series metallophone that West Coast composer Lou Harrison built as a teaching tool and later bequeathed to percussionist William Winant. The sound traces a line and square of sunlight, shaped by sculptural interventions over the room’s windows. An old PA speaker, grabbed from an abandoned public swimming pool in Minneapolis introduces another layer of place and history, recalling the fragile abundance of water that surrounds us. Across both rooms, projections, sound, and sunlight shift gradually over the course of the day and night, enfolding the space into the work’s evolving rhythm.

New York based electro-acoustic composer / improviser Zeena Parkins is a pioneer of contemporary harp practices. Using expanded techniques, object preparations, and electronic processing she has re-defined the instrument’s capacities. Concurrently, Parkins self-designed a series of one-of-a-kind electric instruments. She leans into the harp’s physical limitations pushing its boundaries and impossibilities. In her compositions, Parkins utilizes collections, recombination, historic proximities, geography, tactility, spatial configurations and movement. Awards include the John Simon Guggenheim Fellowship for Composition, Doris Duke Performing Artist Award, DAAD Artist Residency and Fellowship, Foundation for Contemporary Arts “Grants to Artists” Award, and three Bessies for her groundbreaking work with dance. Parkins and Ikue Mori received the Prix Ars Electronica honorary mention for their project Phantom Orchard. Parkins’ compositions have been commissioned by the Whitney Museum, Tate Modern, Sharjah Art Foundation, Donaueschinger Musiktage, and Bang on a Can. Her long-standing collaborations with choreographers have produced scores for Merce Cunningham Company, Jennifer Monson, Neil Greenberg, John Jasperse, Dd Dorvillier, and Jennifer Lacey, among others. She has provided film scores for Daria Martin, Cynthia Madansky, and Abigail Child. Over a 30-year career, Parkins has worked with an unlikely range of collaborators. She has recorded and toured with Björk, and a series of concerts with Yoko Ono led to the live album Blueprint for a Sunrise. Long-standing collaborations also include John Zorn, Butch Morris, Fred Frith, and Phantom Orchard with Ikue Mori, alongside projects with Nels Cline, William Winant, and Elliott Sharp.


Blinn and Lambert is the collaborative name of Brooklyn-based artists Nicholas Steindorf and Kyle Williams. The duo began working together in 2016 to expand their practice in optical media, video, and animation. Their work has been exhibited throughout New York at Post-Times, Nathalie Karg Gallery, Below Grand, Microscope Gallery, the American Academy of Arts and Letters, and Selena’s Mountain, as well as at ArtSpace in New Haven, Lower Cavity in Holyoke, MA, at The Campus in Hudson, NY and Izzy Lee Gallery in Los Angeles. Their films have been screened at the Mono No Aware Film Festival in Brooklyn and the Images Festival in Toronto. They have been awarded residencies at the LIFT Film Studio Immersion Program in Toronto, Institute for Electronic Arts at Alfred University, most recently at Parent Company Studio Residency in New York.