1988 Artists in Residence

Awarded Artists:

Peter D’Agostino

Peter D’Agostino for the completion of Year ZERO ZERO, a video and multimedia installation that takes a personal look at representations of the new millennium in art, religion and technology. The installation will be a synthesis of experimental and documentary forms utilizing the image, sound and text capabilities of interactive CD-ROM and the World Wide Web. Installations are proposed for presentation at The Kitchen, as well as in Brasilia and Rome (the three cities featured in the work).

Associated project: In The Beginning There Was The


Sussan Deihim

A solo vocal piece where sampled vocal parts were recorded on 8 track backwards and forward to create an audio collage. Performed at Town Hall and New Music America at BAM in New York City.

Associated project: Untitled Vocal Piece


Dan Froot

“The Jazz Section”
A musical composition for sax ensemble, electronically processed voice and various digital samples which depicts the struggle of the Prague Musicians Union with the Czechoslovakian government. Performed at P.S. 122 in NYC.

Associated project: The Jazz Section


Jin Hi Kim

A piece which explores the possibilities of MIDI manipulation of sounds produced by the komungo, a Korean 6-string board zither.


David Linton

A performance piece in collaboration with Charles Atlas, involving the application of MIDI technology to a live performance for solo drums and electronics. Performed at the Kitchen.

Associated project: Untitled Midi


Annea Lockwood

The construction of a performance system, utilizing a variety of transducers, for double bass player Joelle Leandre. The piece in which this system is employed is a dialogue between the player and her instrument.

Virginia Quesada

A soundtrack to accompany the video “Flying Horses”, an art documentary concerning historical wooden carousels.

Associated project: Soundtrack for Flying horses


Demetria Royals

“Inventing Herself”
A multi-media performance piece which explores the experience and reality of being Black and female in America.

Associated project: Inventing Herself


Susan Stenger

“Godzilla Meets the Girl From Ipanema”
A composition for treated flute.

Associated project: Godzilla Meets the Girl From Ipanema”


Kirsten Vogelsang

“Palette”
In collaboration with art director and choreographer Keith Young, the manner in which colors co-exist and are worlds unto themselves is illustrated through music, movement and light. Performed at the Joyce Theater in NYC.

Associated project: Palette


Richard Zvonar/Robert Black

An electronic duo creating a new piece for double bass, electronics and tape. Performed at Experimental Intermedia in NYC.

Associated project: Untitled Bass Piece