1992 Artists in Residence

Awarded Artists:

Alice Shields

Alice Shields spins stories rich with the cultures of the world. Her operas and other music for voice, instruments and media morph together Western and non-Western forms of classical music and theater, such as the Noh Theater of Japan and the Bharata Natyam dance-drama of India. The result is Shields’ intense body of work: highly sculptured sound and singing with impassioned, complex movement and powerful drama.

Shields holds a doctorate in music composition from Columbia University, has taught psychology of music at NYU and has been Associate Director of the Columbia-Princeton Electronic Music Center and Director of Development of the Columbia University Computer Music Center. One of the pioneers of electronic music, she is also unique as a composer in having become a professional opera singer, singing traditional and modern roles with the New York City Opera, Washington National Opera, the Clarion Music Society and other companies. Her expertise as a composer and librettist is highly informed by her training and onstage experience as a singer.

Her music has been performed by the Akademie der Künste in Berlin, Venice Biennale, New York City Opera’s Vox festival, New York City Electroacoustic Music Festival, Columbia- Princeton Electronic Music Center, American Chamber Opera Company, Composers Chamber Theater, Santa Fe Opera Gallery Concerts, American Virtuosi Opera Theater, Lake George Opera Festival, Dance Alloy, Frostburg State University Dept. of Theater and Dance, James Madison University Dept. of Music and Dance, Arangham Dance Theater (India), Azure Ensemble, American Composers Alliance and the Association for the Promotion of New Music.

Shields has received grants and awards from Chamber Music America, Meet the Composer, NEA, NYFA, the National Opera Institute, Mary Flagler Cary Trust and other institutions. Her music is recorded on New World Records, CRI, American Composers Alliance, Albany Records, Koch International Classics, Opus One and Tellus. Her work is published by the American Composers Alliance.


Alina Avila

“Flotando,” a bilingual play for radio based on the conflicts between relatives of and economically polarized Cuban family, using tools such as music, found sound, and historical sound. To be aired September 1992 on WBAI.


Lawrence Chua

“Behind the Mask,” an installation consisting of readings and in alternative art spaces across the country that focuses on the Asian Pacific Islander experience in America. To be shown at such locations as Art in General and the Chinatown History Project, and aired on National Public Radio and the Pacifica Network.

Rohesia Hamilton Metcalfe

“La Blanchisseuse,” an electronic, time-based video homage to paintings of laundresses by nineteenth century French painters, with music composed by Tony Moore. The piece will tour festivals and museums, and will be aired on “Alive from Off-Center,” “Independent Focus,” and “New Television.”

Catherine Jauniaux

“Vibroslab Even,” a music piece utilizing live sound-processing of the artist/composer’s voice, and recordings of performances with cellist Tom Cora. To be released on Cuniform Records and performed at Roulette in March 1992 and throughout Europe in the Spring.

Gregory Kajfez

“Caribou,” music composition using contrasting instrumentation and found sounds. Macintosh hard disc digital editing and sampling will extend the material into layered compositions.

Ben Neill

“Downwind,” an audio piece combining ensemble music with pre-recorded texts, including the autobiography of Baroque trumpet virtuoso Gottfried Reiche, and interviews with female residents of and environmentally abused midwestern town. To be premiered at the Frankfurt Opera in September 1992, followed by a Europe and U.S. tour. Also to be included on the next Ear-Rational Records release.


D.Roberts

“Of Angels and Demons,” a docu-play for radio that examines the complexities of domestic violence and the cycles of abuse in romantic relationships through monologues, dialogues, interviews, and music. To be broadcast on either National Public Radio or American Public Radio.

Hahn Rowe

“Constanza,” a dance/music performance in collaboration with choreographer Margarita Guergue that mixes live and pre-recorded music. To be performed at the Jacob’s Pillow Festival and the Sevilla Festival in Spain.

Ellen Zweig

“The Dinner,” a video installation that imagines a conversation between the likes of Einstein, Fermi, and Oppenheimer taking place around a dinner table. To be shown at the Museum of Fine Arts in Santa Fe in October 1993.Panelists for this year’s selections were Kristine Diekman, video artist; Jason Hwang, composer; Ginger Miles, radio producer; Brian Karl and Diana Meckley, Harvestworks staff.

Richard Lerman

The exploration of the use of MIDI control in a new sound/video installation work incorporating laser light to generate video feedback.


Linda Fisher

“Film/Dance Project”

Production of a sound score for dancer Monica Levy as part of an NEA Dance Fellowship. The final 20-minute work will include film.