2017 Artists in Residence

Awarded Artists:

Henry Threadgill

Henry Threadgill is a pioneering American composer, saxophonist, and flutist known for his innovative contributions to avant-garde jazz and contemporary music. Emerging from the creative music scene of Chicago and the Association for the Advancement of Creative Musicians (AACM), Threadgill has spent decades developing a highly original musical language that blends improvisation, complex composition, and unconventional instrumentation.

In 2016, he was awarded the Pulitzer Prize for Music for his album In for a Penny, In for a Pound, becoming only the third jazz artist ever to receive the honor. His work has had a profound influence on contemporary composition and experimental jazz, and he continues to perform and compose internationally.


Seth Cluett

Seth Cluett is a composer and artist whose quiet, patient music explores the territory between the senses, with a compelling attention to perception. His work is driven by themes of ecological collapse and resilience, often expressed through materials found in nature. Ranging from photography and drawing to installation, concert music, and critical writing, his “subtle… seductive, immersive” (Artforum) sound work has been characterized as “rigorously focused and full of detail” (e/i) and “dramatic, powerful, and at one with nature” (The Wire). His research interests and critical writings investigate embodiment, sound in virtual and augmented reality, the media history of the loudspeaker, and computational creativity.

The recipient of grants from Foundation for Contemporary Arts Emergency Fund and Meet the Composer, his work has been presented internationally at venues such as The Whitney Museum, MoMA/PS1, Moving Image Art Fair, CONTEXT Art Miami, GRM, and STEIM. His concert work has been commissioned by ensembles ranging from the Hong Kong Sinfonietta and the International Contemporary Ensemble to So Percussion, Catch Guitar Quartet, and Clogs and is documented on Line, Sedimental, Notice, and Winds Measure recordings. From May 2017 to May 2026, Cluett served as Artist-in-Residence at Nokia Bell Labs and this fall will join the faculty of Contemporary Creative Practices faculty as Assistant Professor of Sound Media in the School of Music at Carnegie Mellon University.


Amelia Marzec

Amelia Marzec is an American artist focused on rebuilding and engaging with local communications infrastructure to prepare for an uncertain future. Her work has been exhibited at SIGGRAPH, MIT, ISEA (Canada), University of the Arts Helsinki (Finland), ONCE Foundation Contemporary Art Biennial (Spain), NODE Forum for Digital Arts Biennial (Germany), and is part of the Rhizome ArtBase. She has been a resident at Eyebeam, Ox-Bow, and Harvestworks, a fellow at NYSCA/NYFA and A.I.R. Gallery, a Tow Fellow at Columbia University, a visiting artist at the Center for Integrated Media at Calarts, a grantee of the Research Foundation of CUNY, and a nominee for the World Technology Awards for Art. Her work has been featured in Wired, Make, Hyperallergic, Neural Magazine, Metropolis Magazine, Creators, and the front page of Reddit.

She holds an MFA in Design and Technology from Parsons School of Design, and a BFA from Mason Gross School of the Arts. She co-founded the Radical Networks conference; has written for the Huffington Post; and taught at Hunter College, Queens College, and Pratt Institute.


William Hooker

William Hooker (drummer, composer and poet) has created works that range from jazz and “new” music to experimental genres. He has released over 70 CDs as a leader. Mr. Hooker has performed at the Brooklyn Academy of Music, Edgefest Jazz Festival, The Vision Festival, The David Rubenstein Atrium at Lincoln Center, The Wadsworth Atheneum, Queen Elizabeth Hall, The Walker Art Center, the first on MTV, The Kitchen, Roulette, Real Art Ways. He has also presented his work at the JVC Jazz Festival, Montreal Jazz Festival, Vancouver Jazz Festival, CMJ Music Festival, Vilnius Jazz Festival, Experimenta Argentina, The Knitting Factory and the Victoriaville Music Festival. William Hooker has received commissions and support from the New York State Council on the Arts, Meet the Composer, Tokio Marine Insurance Company and colleges and universities such as Oberlin, Fordham, Columbia, New York University, Boston University, Princeton, Dartmouth and many more. Accompanying musicians have included Billy Bang, David Ware, William Parker, Thurston Moore, David Soldier, Roy Campbell, DJ Spooky, Steven Bernstein, Zeena Parkins, Lee Ranaldo, Jason Hwang, Sabir Mateen, Elliot Sharpe, David Murray, Ted Daniel, JD Parren and many more.


Cecelia Lopez

Cecelia Lopez received her Masters in Music Composition from Wesleyan University and her Masters of Fine Arts in Music and Sound from Bard College. Cecelia has been apart of various international programs and residencies in countries such as, Lithuania, Italy, and the Czech Republic.


Kristin Lucas

Kristin Lucas creates works about blurring the boundary between the body and technology, further complicated by issues of gender and the ties it has to the global economy. Kristen often investigates the uncanny and liminal spaces of our everyday interaction with technology in imaginative, circuitous works that lie somewhere between reality and “reality”.


Ed Bear

Ed Bear is an American performing artist and engineer working with robotics, sound, video, transmission and collective improvisation. Committed to an open source world, he researches material reuse as a civil responsibility and is currently working with littleBits, Inc. to revolutionize modular electronics. He has toured extensively in North America and Europe as a performer and teacher, working with organizations such as The Mattress Factory, The Montreal Pop Festival, Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute


Carla Cisno

Carla Cisno is an Italian sound and live media artist, working at the intersections of art, music, design, and technology. Ranging from electroacoustic and mixed-media projects to live performance, photography, sound and drawing installations, she develops open, permeable, animate environmental forms that explore perception as a multi-sensorial, fictional and cultural construction of reality.


Katherine Liberovskaya

Katherine Liberovskaya is an inter-media artist based in New York City and Montreal, Canada. Involved in experimental video since the 80s, she has produced many single-channel videos, video installation works and video and music performances which have been presented at a wide variety of events and venues around the world.


Kristin Norderval

Kristin Norderval is a performer, composer and improviser whose career has been two-fold; combining both vocal performance and composition. She received her undergraduate training in composition from the University of Washington, and completed a DMA in vocal performance from the Manhattan School of Music. Her credits as a soprano soloist include performances with the Oslo Sinfonietta, the Philip Glass Ensemble, Netherlands Dance Theater, and the San Francisco Symphony.


Stephan Moore

Stephan Moore is a composer, improviser, audio artist, sound designer, teacher, and curator based in Chicago. His creative work currently manifests as electronic studio compositions, solo and group improvisations, sound installation works, scores for collaborative performance pieces, and sound designs for unusual circumstances. Evidence, his long-standing project with Scott Smallwood, has performed widely and released several recordings over the past 15 years. He is the president of the American Society for Acoustic Ecology, and is a member of The Nerve Tank, a canary torsi, Composers Inside Electronics, and the Wingspace Theatrical Collective. He toured for several years as a musician with the Merce Cunningham Dance Company, and has worked with artists as diverse as Pauline Oliveros, Anthony McCall, and Animal Collective. He is a lecturer in Sound Art and Sound Design in the Department of Radio, Television and Film at Northwestern University.


Claudia Hart

Claudia Hart has been active as an artist, curator and critic since 1988. She works with digital trompe l’oeil as a medium, directing theater and making media objects of all kinds. These include multi-channel 3D animation installations, sculptures using industrial production techniques such as Rapid Prototyping, CNC routing, and virtual and mixed reality environments, and augmented-reality custom apps.


Chika

Working as a graphic designer in the commercial industry and the underground experimental audiovisual scene for a decade in New York City has strongly influenced Chika’s artistic practice, shifting it from a one-way communication to the audience into a fully interactive experience that uses technology to establish a moment of co-creation with the public.Her work creates what she describes as the symphony of light: creating minimalist geometric shapes and visuals that explore dark space while inviting people to reinvent themselves through the relationship between objects and images. Light and sound are the main elements she uses in her installations, which are ultimately a visual performance that experiments with improvisational communication and immediate interaction with the audience in real time.


Sara Rothberg

Sarah Rothberg is a multimedia artist working in a variety of formats: installations, virtual worlds, websites, writing. Her work conveys relationships between complex systems (the internet, global economics, human memory) and personal life, with a sense of humor and vulnerability. As of late, she has found herself swimming the depths in the current wave of Virtual Reality, as Direct of Experience at VRB (Samsung Accelerator), professor of “DIY VR” and “Directing Virtual Reality” at Tisch, NYU, and through her own virtual reality creations, which have been shown at venues such as Bitforms, Illinois State University Gallery, MUTEK festival, and most recently LACMA (with the Hereafter Institute).


Yotam Mann

Yotam Mann is a composer and programmer who creates interactive music in the form of apps, websites, and installations. He is driven by the idea that interactivity allows for new and exciting ways of engaging with music, transcending the composer/consumer relationship. He is a recipient of the Creative Capital Award in Emerging Fields category, an inaugural member of the New Museum Incubator and an adjunct professor at ITP, NYU Tisch, where he teaches Tone.js, a widely used javascript library he developed for creating interactive music in the browser.


Judy Dunaway

For over twenty years Judy Dunaway has primarily been known for her numerous works for latex balloons as sound producers, including free improvisations, electronic and multi-media works, sound installations, and compositions. She has presented these works throughout North America and Europe at many important venues, festivals, museums and galleries including the Academy of Media Arts Cologne (Germany), Alternative Museum (NYC), Audio Art Festival 2016 (Krakow), Cafe Oto (London), Bang on a Can Festival (NYC), Diapason (NYC), Everson Art Museum (Syracuse), Frau Musica Nova (Germany), Galerie Rachel Haferkamp (Cologne), the Guelph Jazz Festival (Canada), Lincoln Center Out-of-Doors (NYC), the New Museum of Contemporary Art (NYC), Ohrenhoch sound gallery (Berlin), Performance Space 122 (NYC), Podewil (Berlin), Roulette (NYC), the Roy and Edna Disney Center (Los Angeles), Seltsame Musik Festival (Austria), STEIM (Netherlands) and ZKM (Germany). Her discography includes CDs on the Composers Recordings, Inc. (CRI) and Innova labels, among others.