2020 Artist Scholarships

Awarded Artists:

Chuck Bettis

Chuck Bettis was raised in the fertile harDCore soil, nourished within Baltimore’s enigmatic avantgarde gatherings, and currently blossoming in New York’s downtown musical tribe. His unique blend of electronics and throat has led him into various collaborations with great musicians from around the globe. He has performed live collaborations with John Zorn, Fred Frith, Matmos, Yoshimio, Mephista and Afrirampo to name a few, recorded & played live with; Ikue Mori, Nautical Almanac, Berangere Maximin, Yellow Swans, Toshio Kajiwara, Jad Atoui, etc, plus a long history of punk bands he was in. Chuck also has had residencies at The Stone (NYC), INA GRM (Paris, France), Kurimanzutto Gallery (NYC) and EMS (Stockholm, Sweden).


Michael Foster

Michael Foster is a saxophonist and multi-instrumentalist working in the fields of free improvisation, noise, free jazz, graphic & video notation, performance art, and other forms of “weird” music. Foster utilizes extensive instrumental preparations, augmenting his saxophone with amplification, objects, balloons, drum heads, vibrators, tapes, and samples as a method of queering the instrument’s history and dynamic relationships.

In addition to his work as a performer he is also active as a curator throughout New York City, co-founding “Queer Trash,” a curatorial collective focusing on providing visibility to LGBTQIA+ performers engaged in experimental performance practices.


Miguel Frasconi

Miguel Frasconi is a composer and improviser whose instrumentarium includes glass objects, electronics, and instruments of his own design. His array of activities includes collaborations with the Balinese composer Dewa Berata on music for a large-scale shadowplay, with operatic tenor John Duykers on unique music/theater events, with the Tibetan songwriter Techung, with whom he has toured throughout India, and has worked closely with composers John Cage, Morton Subotnick, Pauline Oliveros, James Tenney and Jon Hassell. He was a founding member of The Glass Orchestra, the internationally renowned ensemble featuring all glass instruments (1977-86), and the sound-sculpture band Möbius Operandi (1990-95) ) and has performed as a keyboardist with the Paul Dresher Ensemble (1988-95) and the Philip Glass Ensemble (1992).


Volker Geotze

Volker Goetze is a composer and filmmaker. His time in Africa inspired him to direct a feature-documentary about the oral history, extending the work into a live-performance-documentary recounting the creation of the African harp. His trumpet-kora duo transcends geographic and musical boundaries resulting in a unique musical synthesis that fused the timeless tradition of the storyteller/griot with a modern perspective, which addresses themes of our ancient spiritual roots, and our hurried, dehumanized modern strife. This making him a specialist working and supporting oral cultures creating new narratives transmitting the culture into the 21st century.


Muyassar Kurdi

Muyassar Kurdi (b. 1989 in Chicago) is a New York City-based interdisciplinary artist. Her work encompasses sound art, extended vocal technique, performance art, movement, analog photography and film. She has toured extensively in the U.S. and throughout Europe. She currently focuses her attention to interweaving homemade electronic instruments into her vocal and dance performances, stirring a plethora of emotions from her audience members through vicious noise, ritualistic chants, and meditative movements.


Hans Tammen

Hans Tammen is just another worker in rhythms, frequencies and intensities. He likes to set sounds in motion, and then sit back to watch the movements unfold. Using textures, timbre and dynamics as primary elements, his music is continuously shifting, with different layers floating into the foreground while others disappear. This flows like clockwork, “transforming a sequence of instrumental gestures into a wide territory of semi-hostile discontinuity; percussive, droning, intricately colorful, or simply blowing your socks off” (Touching Extremes).