Fluid – an Art and Tech Exhibition

August 27 – October 30, 2022

Harvestworks Art and Technology Program

Nolan Park, Building 10a
Governor’s Island, NYC

Fluid – an art and tech exhibition will feature major new works created by New York State Council on the Arts – New Technology awardees Kristin Lucas and Eva Davidova with Harvestworks Artists in Residence Viv Corringham, Su Hyun Nam and Allison Berkoy

Through tech focused artworks, Fluid  brings together artists working in a variety of media from 3D sound, web-VR and audience participatory image installations.  Bringing attention to the complex relationships between human, animal, machines and their environments, each work explores local and global issues through the lens of an artist. Curator and director Carol Parkinson and the Harvestworks arts committee selected these artists because of their compelling use of immersive technology, multichannel video and audio. 

Scheduled Events

Sep 10 1:00 pm – 5:00 pm

Meet the artists

Aug 27 – Oct 30

Kristin Lucas: Marine MamMLs is an interactive WebXR project that visually sonifies whale communication and cargo ship noise in the NY Bight. The work demonstrates how close in range their sound frequency is, and how ship noise interference with whale communication can increase the risk of whale injury and casualty.

Aug 27 – Oct 30

Viv Corringham: Nostalgia for the Here and Now is an archaeology of sounds and found objects from the here and now – a collection of relics from our present and a record of how we lived and what we cared about. The artist asked two questions of everyday people: “what object do you most value?” and “what environmental sound would you miss if it disappeared tomorrow?” These sounds were recorded, mixed, and distributed in a 3D sound environment.

Aug 27 – Oct 30

Allison Berkoy: START is a collection of new works exploring sensory and perceptual processing following acute stress to the brain. Mixing electronic traditional media, the exhibition features interactive video sculptures and electronic sculptural reliefs. Participants enter the space and find themselves surrounded by spot-lit sculptural reliefs and videos, low hums of noise oscillating with silence.

Aug 27 – Oct 30

Su Hyun Nam: Synthetic Cognisphere is an immersive audiovisual environment. Embodying a speculated cognitive system, in which fragments of human memories are entangled with cognitive activities of nonhumans, the artist feeds daily images into neural networks to repurpose them and envision how a machine would process its own memories of her experience.

Aug 27 – Oct 30

Eva Davidova: Garden for Drowning Descendant is an interactive mixed reality work that uses the subconscious to workshop ideas. The work exists simultaneously as a 360 VR environment and an immersive project installation that consists of four interactive absurdist scenes of ecological peril.. The rules of engagement are left intentionally unsaid; participants need to experiment in order to understand the possibilities for interaction.

Aug 27 – Oct 30

Also on view: Michael Schumacher’s UrMix and Miya Masaoka’s Ear Hut and Listen Ahead with a composition by sound artist Stephen Vitiello.

Aug 27 2:00 pm

Opening day performance: Melody Loveless – live-coding

Sep 10 1:00 pm – 3:00 pm

Sonic Pi Workshop with Melody Loveless

Sep 14 1:00 pm – 3:00 pm

Hydra Workshop with Melody Loveless

Oct 1 3:30 pm

NYU IRCAM Forum Presentation with Hanae Azuma

Oct 2 1:00 pm

NYU IRCAM Forum Presentation with Kamari Carter

Oct 8 3:00 pm

EMKVLT performance with Jess Rowland / Meg Schedel / Sofy Yuditskaya

Oct 8 1:00 pm – 3:00 pm

Hydra Workshop with Melody Loveless

Oct 15 3:30 pm

Matthew Gantt – Unreal Engine 4 for musicians Workshop and Performance

Oct 16 2:00 pm – 4:00 pm

Conflict / Resolution presentations by Flux Factory artists

Oct 22 1:00 pm – 3:00 pm

Immersive Technology and Participation Workshop with Eva Davidova and Sidney San Martin

Oct 29 3:00 pm

Nostalgia Performance by Viv Corringham / Paul Geluso

Kristin Lucas creates works about blurring the boundary between the body and technology, further complicated by issues of gender and the ties it has to the global economy. Kristen often investigates the uncanny and liminal spaces of our everyday interaction with technology in imaginative, circuitous works that lie somewhere between reality and “reality”.


Viv Corringham is a New York based British vocalist, composer and sound artist, active since the late 1970s. Her work includes concerts, soundwalks, workshops and installations, exploring people’s sense of place and the link with personal history and memory. She has received international recognition and her work has been presented in twenty six countries on five continents.


Eva Davidova is an interdisciplinary artist with focus on new media(s) and their socio-political implications. Davidova’s work addresses ecological disaster, interdependency, and the political implications of technology through performative works rooted in the absurd.


Allison Berkoy is a Brooklyn based artist, exploring the communicative potential of physical-digital environments when combined with mutable storytelling and media. These works take the form of interactive installations, electronic sculptures, and networked audiovisuals; driven by code, sensors, and human bodies. With participatory and absurd narratives, Berkoy’s installations become stages for performance that test the boundaries and etiquette of human-machine interaction as well as human-human relationship.


Su Hyun Nam is an interdisciplinary media artist and researcher working at the intersection of art, technology, science, and philosophy, exploring a nonlinguistic, experiential, and affective relationship with digital media. Her work, including experimental video, interactive media, 3D game art, and media performance, has been exhibited nationally and internationally at venues from Spain, UAE, Greece, and Singapore to South Korea.


Michael J. Schumacher (lead artist) has a long history working with multichannel sound, sound art installations, as a curator, gallery director and composer. He earned his Doctorate in Music Composition from Juilliard and has been creating computer-based installations since the 1990s. He founded and directed Diapason, New York’s only gallery devoted to sound art, from 1996-2014. Diapason’s archive continues to be presented in spaces throughout the world. Schumacher also has extensive experience in the popular music world, having released three records with his rock band, dinmachine.


Miya Masaoka is an American composer, sound artist and musician. Her work explores bodily perception of vibration, movement and time, while foregrounding complex timbre relationships. She has created a body of work that encompasses interdisciplinary sound art, spatialized sound installations, hybrid acoustic/electronic performance, new Noh operas, choirs, mapping movement of insects, and three-dimensional scores.


Stephen Vitiello is an electronic musician and media artist. CD, LP and digital releases have been published by New Albion, Sub Rosa, 12k, and Room 40. His sound installations and multi-channel works are in the permanent collections of the Museum of Modern Art, the Whitney Museum and the Museum of Contemporary Art, Lyon. Over the last 30 years, Vitiello has collaborated with such artists and musicians as Pauline Oliveros, Ryuichi Sakamoto, Taylor Deupree, Joan Jonas, Tony Oursler, Steve Roden and Scanner.


Melody Loveless is an artist, musician, performer and educator who works with creative and interactive technologies. Her expertise includes teaching first-time users and programmers, consulting other educators on curriculum, and showing artists how to incorporate Max into their practice to create interdisciplinary projects. She believes in technology’s potential to empower others to create art and enjoys sharing techniques and ideas with others.


Flux Factory’s mission is to support emerging artists through Artist-in-Residencies and Exhibitions, education and collaborative opportunities. Flux is an artist-led space that builds sustainable communities and retains creative vitality in NYC. Since 1994 Flux has hosted over 300 Artists-in-Residence, both local and international, as well as staging over 700 exhibitions across all disciplines. Flux’s home in Long Island City is a creative hive that incubates experimentation with collaborative processes.