This art show and screening at Harvestworks curated by Phyllis Bulkin-Lehrer with fellow animation artists Gregory Barsamian, Emily Hubley , George Griffin, Holly Daggers and Jeff Scher is a follow up exhibit that references the ATOA panel event that took place on December 9th 2011 at the Westwood Gallery in Soho NYC. Animation as a fine art endeavour has a rich heritage in the New York City area and there are many wonderful artists who practice the form , some of whom are in this exhibit.
Animation as Artistic Practice
Opening June 14th 6:00 P.M. – 9 :P.M. screening at 7:30
The installation is open 1 – 6 pm Tuesdays – Saturdays
Harvestworks – www.harvestworks.org
596 Broadway, #602 | New York, NY 10012 | Phone: 212-431-1130
Subway: F/M/D/B Broadway/Lafayette, R Prince, 6 Bleeker
A Harvestworks 35th Anniversary Event.
This art show and screening at Harvestworks curated by Phyllis Bulkin-Lehrer with fellow animation artists Gregory Barsamian, Emily Hubley , George Griffin, Holly Daggers and Jeff Scher is a follow up exhibit that references an “Artist Talk on Art” panel event that took place on December 9th 2011 at the Westwood Gallery in Soho NYC. The Harvestworks show will include installation, film, projection and artwork by the above six local New York artists who are actively engaged in the process and paradigm of animation as an integral element of their artistic practice.
Animation is the structural core by which humans are able to read the moving image. It is the underlying algorithm of filmic projection regardless of its developmental process. New media when it broaches the visual domain automatically references animation . Almost all animation presented to an audience in our time frame uses elements of the new digital technologies in one form or another if only as documentation. How moving image artists incorporate new media is complex and not one dimensional but all are tethered in some way to traditional animation’s archival core of persistence of vision and simultaneously to the contemporary pixels of the computers visual output.
The artists in this exhibit embrace this dichotomy in very divergent but always interesting ways . Some embrace New Media and integrate it wholly into their practice while others prefer to hold it at arms length . In terms of art making, it adds up to the variety of how we experience life and express ourselves as humans. As artists we are in varying degrees products of our historical techniques and our technological innovations. How we choose to implement those degrees makes for the depth and breath of artistic potential. This exhibit explores the work of six New York art makers whose imagery incorporates animated movement in new media and old as a practical focus and an artistic identity .
Animation as a fine art endeavour has a rich heritage in the New York City area and there are many wonderful artists who practice the form , some of whom are in this exhibit. Museum and gallery fine art exhibits do not often include animated moving images and when they do it is usually by artists that live and practice far from the NYC environs. This is an opportunity to experience work by local artists who focus on many variations of the concept of animation as an art form and medium. This presentation will strive to illuminate the practice of creating perceptual movement with two and three dimensional imagery so as to demystified the process and give the work a progressive presence in the public sphere.
The artists who will present work come from diverse backgrounds to the practice of animation as an element of fine art.