Andrea Parkins Installation – Saturday Evenings in May/June

FAULTY (per-objective)

a multi-channel audio installation by Andrea Parkins

May 19th, 26th, June 2nd, 9th, 2007, 6 pm – midnight — free at Diapason Gallery for Sound

FAULTY (per-objective) is a multi-channel audio installation by Andrea Parkins. The work creates purposefully flawed sonic structures, built from a variety of sources, including sound recordings that document the specificity of objects – collected or invented – as they are set into motion. (Upended wine glasses on tilted/greasy mirrors, taut lines of plastic tubing, wobbly plaster forms, apples/potatoes that roll across a bumpy floor, spinning metal washers, stretched skeins of plastic gimp, raspy little snapshots in the wind – these might be performers.)  Through the use of Max-based generative processing, multiple chains of audio events will arrive at an indeterminate sonic outcome — an aurality that weaves playful connections between sonified objects, materials and language — and a metaphor for the slippage between object and meaning that occurs through the passage of time (and space).

Image result for andrea parkins 2007Andrea Parkins is a sound artist, composer and electro multi-instrumentalist who also makes/arranges objects, images and (sometimes) words. Known for her dynamic timberal explorations on the electric accordion and inventive use of generative sound processing, Andrea has appeared on more than 40 recordings on labels including Hatology, Atavistic, Knitting Factory, and Creative Sources. She has performed worldwide as a soloist, and with artists such as Nels Cline, Thomas Lehn, Fred Frith, ROVA Saxophone Quartet, and Otomo Yoshihide. She has also presented her work at the Whitney Museum of American Art, The Kitchen and Experimental Intermedia, among other NYC venues. Currently, Andrea continues to develop and perform a series of Max/MSP-based audio/visual works inspired by Rube Goldberg’s circuitous contraptions, a project realized during artist’s residencies sponsored by the Hamburg Cultural Board in Germany; at Harvestworks in New York City and CESTA in the Czech Republic.

For more information:

Diapason Gallery for Sound

1026 Sixth Avenue, # 2S New York (between 38th & 39th Street)

subway: F, N, R, W, Q, 1, 2, 3 to 42nd Street


“Harvestworks brings together innovative practitioners from all branches of the digital arts and makes them available to artists, curators, and collectors.”

About NYEAF: The New York Electronic Art Festival is produced by Harvestworks, the New York University Music Technology Program, and LEMUR: League of Electronic Musical Urban Robots, with support from New York University’s Interactive Telecommunications Program, Eyebeam Art and Technology Center, the Columbia University Computer Music Center, Roulette, Electronic Music Foundation, 3LD Art and Technology Center, Lower Manhattan Cultural Council, and the Institute of Electronic Art. Additional support is from the National Endowment for the Arts, the New York State Council on the Arts, the Mary Flagler Cary Charitable Trust, mediaThe foundation, the Lower Manhattan Cultural Council’s Swing Space @ 38 Park Row, the Experimental TV Center Presentation Program, Cycling 74, Tekserve and Newmark Knight Frank. Lower Manhattan Cultural Council’s Swing Space.

NYEAF is a Harvestworks 30th Anniversary Event.  A highlight of the festival is the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), now in its 7th year, convening for the first time in New York.

About Harvestworks: Harvestworks is a nonprofit Digital Media Arts Center that provides resources for artists to learn digital tools and exhibit experimental work created with digital technologies.

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