1990 New Works + Programming Residencies

Audio work for “REQUIEM,” a multi-media installation. Premiered at Hyde Gallery, San Diego, CA. Also presented as part of the Spontaneous Combustion Series, Brooklyn, NY.

Audio work for “ORPHANS,” a 28-minute experimental narrative video. Recipient of a 1990 NYSCA Composer’s Commissions grant (sponsored by Harvestworks) for further audio work on the piece.

Audio work for “THE MADNESS OF THE DAY,” a super16 film adaptation of a story by Maurice Blanchot.

For work on a vocal segment of their opera “KABBALAH,” which premiered at Dance Theater Workshop, Nov. 16-26, as part of the New Music America Festival.

Audio mix for a 5-channel audio/video installation, “MAKING NEWS/MAKING HISTORY-LIVE FROM TIANNAMEN SQUARE.” Commissioned by the 1989 AFI Video Festival, this work will also be presented at the International Center of Photography Midtown.

Soundtrack for “LOUISAIDA: CONTINENT OF SEVEN COLORS,” to compliment a mural at the 2nd Ave. F train Subway stop, funded in part by the MTA’s Arts for Transit Creative Stations Program.

Audio score for choreographer Carol Clements work “A TIMELY EXISTENCE,” which premiered at Dance Theater Workshop, NYC in February, 1990.

Audio work for a performance piece presented at Experimental Intermedia, NYC.

The Programming Residencies are for acoustic and electronic music composers who wish to explore and incorporate into their work the capabilities of computer music MIDI systems. The residencies include a professional software instructor and access to the Studio PASS Macintosh computer’s music software and MIDI equipment. The following are this year’s recipients: