Soft Circuits: Hack-A-Bear

Liz Taylor will lead a series of classes dedicated to soft circuits and their application. Hack-A-Bear is a 6 hour intensive workshop will drop you into the basics of electronics and circuitry. We’ll use leds, batteries, small speakers, conductive thread and fabric to give our teddy bears new life. Hack-A-Bear… Continue reading

Bonnie Lane & Leaf Tierney Present Works

Artists Bonnie Lane and Leaf Tierney will present past and recent works. Bonnie will be discussing her video installation practice including her embrace and resistance towards the advances of digital technology. Leaf-tierney works cross cinema, sound and software, taking the form of installation, screening and performance. Bonnie Lane & Leaf… Continue reading

Survival Guide to Processing

The Processing language has changed the way many artists feel about programming. Built on Java, Processing makes learning traditional programming easier by having many built-in functions.  Processing is different from a graphical language like Max because you do have to write it line by line.  Once you understand how to… Continue reading

Ezramo & Alebeek Solo Performances

Rinus van Alebeek and Allessandra “Ezramo” Eramo will perform separate solo pieces. Rinus plays more then one (mini-)cassette simultaneously, up to eight, and recordings are played forwards, backwards or/and in a different pitch. Ezramo’s works with concrète sounds, that are always in relationship with space and territory, means for her exploring… Continue reading

Native Instruments at Harvestworks

The New York Electronic Art Festival presents an evening performance of new works based on the Native Instruments KOMPLETE software. Over the course of the festival, artists have been working with our sponsor Native Instruments on the research and development of various works made with KOMPLETE. Native Instruments at Harvestworks… Continue reading

Audio Master Class: Recording Studio Design

In this workshop as part of our Audio Master Class series presented together with Electronic Music Foundation (EMF), Omid Bürgin’s “Recording Studio Design” is built on sound acoustical principles, such as early and late reflections, initial delay gap, RT60 and its spectrum, and overall balancing the spectrum to make it… Continue reading