Our collaboration with Experimental Intermedia continues with our third ZOOM IN: OLAP (Online Live Art Performance) community discussion forum. For this event we have invited artist Sarah Weaver who will present recent work in Network Arts for large virtual ensemble and discuss technologies including JackTrip, SonoBus, and Vimeo Live.
Date: February 14, 2021
Time: 3 pm – 5 pm New York Time (EST)
Location: online on Zoom. Free. Check back for more information or click here to RSVP.
(p.s. the link is there when you click RSVP :)
Following a presentation by Sarah Weaver and a Q & A, the forum will be open to anyone attending wanting to discuss any online live art performance ideas or projects as well as any technical or conceptual concerns.
About the Artist
Sarah Weaver, Ph.D. is a New York-based contemporary composer, conductor, technologist, educator, and researcher working internationally as a specialist in Network Arts. Weaver has composed solo, chamber, and large ensemble works for groundbreaking musicians for twenty-five years, integrating influences of jazz, contemporary classical, improvisation, computer music, world music, and individual music languages of performers. She is an innovator of live performance via the internet with musicians and artists in different geographic locations. Her numerous artistic projects encompass collaborators and interdisciplinary projects with groups such as NASA Kepler/K2 Mission and United Nations. Weaver is the director of NowNet Arts, director of the Sarah Weaver Ensemble, and editor of the Journal of Network Music and Arts (JONMA). She is on the faculty of New School College of Performing Arts, Performer-Composer Masters Program. Weaver is a member of ASCAP, College Music Society, National Association of Composers, and board member of the JackTrip Foundation.
About ZOOM IN: OLAP
A collaborative initiative by Harvestworks and Experimental Intermedia ZOOM IN: OLAP is an online community forum conceived by Katherine Liberovskaya and Carol Parkinson to reflect on the aesthetic and technical dimensions of live streaming and to share knowledge among the participants. The meetings feature guest practitioners from different artistic fields (music, live visuals, performance, dance, theater) who speak about their approaches and experiments with online performance (sound, video, conferencing, streaming software, aesthetic and organizational approaches), followed by Q&A. The forum is also open to hearing about new ideas and projects that are in development as well as technical and/or conceptual concerns from the participants.
This initiative is a response to the unexpected arrival of the Covid pandemic that forced many live performance artists into live streaming as a make-shift temporary presentation alternative. Figuring it out on the fly, they were able to continue to produce some form of creative activity on the new platform… While this was so exciting, even keeping us sane in the early days of the coronavirus, the ever-increasing online live streaming events are starting to seem more and more all the same and are holding our attention less and less. We quickly found out that commercial web conferencing software was not designed for artistic performance. Worldwide, the virus seems here to stay, and the reality of in-person audiences being able to convene safely is moving further and further into the future. It is time to re-think the online presentation of live art practices and to imagine new approaches that are far better suited for the new performance stage.