Harvestworks is proud to present this year’s amazing and inspiring interns! These talented artists have been working hard, and some will share their work and perform live on Governors Island. Join us for an audio-visual showcase featuring performances from current Harvestworks Interns. This Sunday, the current interns at Harvestworks present a dynamic series of live performances exploring the intersections of sound, image, and technology. Showcasing new work across soundscape composition, instrument augmentation, projection mapping, electronic music, non-fiction film, and more, the series highlights each artist’s unique approach to hybrid media practice. These performances offer an intimate glimpse into the creative experimentation taking place within Harvestworks’ community of emerging media artists. This is a unique opportunity to experience their creativity firsthand—don’t miss it, and show your support!
Date & Time: Saturday, October 26th, 2025 @ 1 pm
Location: Harvestworks Art and Technology Program, Building 10a, Nolan Park, Governors Island
Free with limited seating
Bios
Yi-Han (Audrey) Chou is a New Media Artist and Researcher working across time-based mediums. She holds a BFA in Fashion Design from Parsons School of Design with a minor in Contemporary Dance from Eugene Lang College at The New School, and an MPS from New York University’s Tisch School of the Arts, Interactive Telecommunications Program (ITP). Her research spans interactive design, experimental filmmaking, site-specific performance, sound design, real-time systems, and immersive production. Audrey’s work explores narratives of dysphoria and migration, building cross-disciplinary frameworks for performance rooted in embodied storytelling. Her practice investigates the intersections of multiple perceptions.
Milan Schell is a Brooklyn-based musician and cross-disciplinary artist at the intersection of sound, technology, and visual media. His practice, centered on the music project EIVIBLEIVI, involves the design of custom instruments and systems for live performance, composition, and audiovisual installation. Milan collaborates as a composer and sound designer for film, dance and theater productions, and he has worked with artists including Charlemagne Palestine, Fried Dähn, Conner Simmons, and Jürgen Palmtag. His music has been presented at the NYC Electroacoustic Music Festival, Tanztage Berlin, the 50th Hof International Film Festival, and REM Festival Bremen, among others.
Flenka Sun’s work moves between dreamlike visions and sudden bursts of intensity, where technology becomes an accomplice in chaotic, vibrant manifestations. As a creative technologist and artist, she fuses sonic art with digital media, creating immersive environments that intertwine the personal with the networked and globalized. Her practice integrates archival strategies with sound systems, synthesizers, and LED installations, weaving artistic narrative with technical precision. By analyzing space, time, and perception, she reflects on how artificial intelligence and digital networks reshape identity. Through these hybrid workflows, she transforms complexity into poetic, emotionally charged experiences.
Emilio Galán’s work revolves around themes of attachment and mourning, as well as the technologies and knowledge we use to engage with these dimensions of experience. He holds an MFA in research-creation from EUR ArTeC and is currently pursuing an MA in French contemporary philosophy.
N/A(Z) is a multidisciplinary shapeshifter investigating the layers of reality, world building, and simulations through the potential of sound, video, and performance. Her work explores perception, alternative realities, relations, and vulnerability through technology. She views technology as tool of translation, delimit, and expansion that can be applied to different modals of reality to transcend and transform. As a musician, she composes, sound designs, produces, performs live, and does Turkish vocal improvisations; as a visual artist, she creates digital art, abstract videos, projections, installations, and text-based art. Her work has been guided by philosophy, ontology, metaphysics, feminism, hybrid human-machine relationships, co-creation with AI, deep listening, traditional Turkish singing, mindfulness, and lucid dreaming.
Garrett Botsch is an emerging multimedia artist based in Brooklyn, New York, whose practice spans art direction, portrait photography, live performance, and sound art. He holds a Bachelor’s degree in Performance Media Art with a minor in Contemporary Dance from the University of Colorado Boulder. Through performance-based media and experimental sound, Botsch investigates the concept of truth as it relates to identity and perception. Rooted in theoretical inquiries surrounding religion, gender, and liminality, his work evokes specific, often uncanny sensations that reflect the complexities of the modern queer experience and a deep fascination with the nuances of human emotion.
Saher Prakash is a musician and linguist in her senior year at NYU. Her practice spans electroacoustic composition, songwriting, music production, and vocal performance. Drawing inspiration from intercultural media, genre-blending art, and traditional music encountered through her ethnomusicological studies, she explores the intersections of language, identity, and sound. She has been engaging in new media sound art more recently while interning at Harvestworks.
Websites:
https://egalan.myportfolio.com
https://new.express.adobe.com/webpage/MlC4xSyc9pdB5
Socials:
https://www.instagram.com/zelenka_fs
https://www.instagram.com/duality.live/?hl=en
https://www.instagram.com/garrett.botsch/?hl=en